



Finnur Arnar studied at the Icelandic School of Arts and Crafts, beginning in sculpture but switched to mixed media, graduating in 1991. Has held private exhibitions as well as with groups both in Iceland and abroad. Has also worked freelance as a stage designer since 1996 for all the major theaters in Iceland. Organized exhibitions for municipalities, institutions and companies.
Finnur Arnar
finnurarnar.com
Like so many of Finnur Arnar ́s video pieces Journey uses double images to underscore a conceptual whole. Fragments, shown in a loop, feature a walking man dragging along a fisherman`s gaff; another set of fragments are taken up with a man slowly revolving around himself, he ́s clearly the artist. Untouchable money floats in mid air. Fingers beat out a rhythm on a table; all around there are the ragged remains of Christmas past. The artist puts together a set of open-ended symbols. He pulls us, the viewers, into the centre of the piece; much like the revolving man we are placed between images, having to turn this way and that to look at them. What is he thinking, the man who revolves in the whirlwind of money or in the the detritus of a Christmas extravaganza, or the man who waits, drumming with his fingers on a table? Or the fisherman on his neverending journey, holding on to his gaff?
Journey poses questions of some urgency, centering on our humanity. They have to do with the meaning of our lives, our values and our pursuit of happiness. There are no answers to them except the ones we discover within ourselves and these answers may be subject to change. Through its conceptual scale and weighty presence, as well as through its insistent rhythm, Journey is a powerful work. Where is this journey taking us?
Ragna Sigurðardóttir
Ragnar Kjartansson draws on the entire arc of art in his performative practice. The history of film, music, theatre, visual culture and literature find their way into his video installations, durational performances, drawing and painting. Pretending and staging become key tools in the artist’s attempt to convey sincere emotion and offer a genuine experience to the audience.
Kjartansson’s work has been exhibited widely. Recent solo exhibitions and performances have been held at the New Museum, ICA Boston, Guggenheim Bilbao, Migros Museum für Gegenwartskunst, the Carnegie Museum of Art, and PS1 MoMA. In 2011, he was the recipient of Performa’s 2011 Malcolm McLaren Award for his performance ‘Bliss’. In 2009, Kjartansson represented Iceland at the Venice Biennale, and in 2013 his work was featured at the Biennale’s main exhibition, The Encyclopedic Palace. Kjartansson was born in 1976 in Reykjavík and studied at the Iceland Academy of the Arts and The Royal Academy, Stockholm.